David Appleyard is an artist whose practice is rooted in making unexpected connections between people, places, objects, histories and ideas. Through research, observation, conversation and associative thinking, he develops work that invites audiences to reconsider relationships between the everyday and the overlooked.

Working across sculpture, installation, architectural intervention, photography, painting and print, his practice spans both studio research and public commissions. Projects often emerge from fragments: an overlooked object, a piece of local folklore, an historical detail, a chance encounter or an unexpected coincidence. Rather than illustrating these discoveries, he uses them as starting points to explore wider questions about time, belief, memory, landscape and the ways meaning accumulates through place and experience.

Since establishing his practice in 2007, Appleyard has realised more than fifty permanent public commissions alongside an expanding body of studio work, exhibitions and artist residencies. Collaboration with communities, craftspeople, researchers, manufacturers and cultural organisations forms an important part of his practice, bringing together different forms of knowledge and expertise throughout the research and making process.

Whether creating a site-specific intervention, an installation or a small studio work, Appleyard's projects invite moments of curiosity, encouraging audiences to look again at the familiar and discover unexpected connections between the ordinary and the extraordinary.

A CV is available upon request.